![]() Another way to do this is to choose monologues whose own inherent arcs require no explanation at all. The drawback there, however, is that it may be something that the auditors have already heard dozens of times. It stands out: One way to ensure that the monologue stands on its own is to choose monologues from well-known plays.It shouldn’t require a lot of complex expository setup for its meaning to be understood. The monologue should feel like it is its own little story, with a beginning, middle, and end. This means that there is a natural narrative arc to the monologue itself that exists separately from the play as a whole. It creates a narrative: That said, a good rule to follow when choosing audition monologues is to pick something that can largely stand on its own.For example, a teenager who has recently experienced heartbreak might feel more drawn to a monologue depicting romantic distress than a comedic one. That’s why it’s important that actors choose pieces of writing that resonate deeply with them as individuals. It resonates: The quality of the monologue is less important than what it inspires in the actor performing it.It should resonate with the actor, create a narrative, and stand out. The Queen is still on our money.A good monologue is one you can imbue with emotion and that garners audience interest. “They’d be like, ‘Oh, is that when you won your independence?’ And I’d be like, ‘No, not really. She says she spent July 1 explaining the finer points of Canada Day to her American friends. ![]() Page is based in Los Angeles but still goes by the nickname “The Tiny Canadian,” given to her by roommates in New York years ago. “It’s completely exceeded my expectations.” “It has a really amazing female protagonist character at the centre,” she reports. Finally, she recently finished doing motion-capture acting for a video game called Beyond: Two Souls. She’s also starring in Touchy Feely, a new film by Lynn Shelton, whose latest is Your Sister’s Sister. The East, co-written by Brit Marling and Zal Batmanglij (the team behind the recent film Sound of My Voice), is about “a woman who works for a company that trains people to infiltrate domestic terrorist groups. “It’s nice getting to watch the final product when you have no idea.” ![]() As a result, when she saw the finished film it was three-quarters new to her. be present and not be over-analytical.”Īllen is notoriously close with his screenplays, and Page was only given the portion of the film in which she appears To Rome with Love is structured as four separate vignettes taking place in the same city. “He has this trust in his actors, which is really nice and also liberating, and also sort of terrifying. “He’s so dissimilar to the kind of comic persona that we see in his films, which is how most people relate to him,” says Page. On set, Allen lived up to his reputation as a quiet, calm director. This character is not someone we’ve seen too frequently.” She has incredible confidence and control over her own sexuality. You have this girl who doesn’t necessarily look like other girls who are in sexualized roles. “I was intimidated at first because of my own personal insecurity. “When I first read the script, and how she was being described by other characters, I was happy that someone was giving me the opportunity to play a role in which this person was described as -” Page pauses, then tries again. But as a homewrecker, Monica is more intellectual than vamp. She crashes with her friend Sally (Greta Gerwig) and Sally’s boyfriend Jack (Jesse Eisenberg), casually flirting with him until he wants to run away with her. Her character in To Rome with Love is an actor named Monica. “I admire his female characters that he creates - their uniqueness and their ability to exist in the world - that you don’t see in a lot of films.” Page has always been struck by the strong female roles in Allen’s films. So I sat in the office and read the vignette that I would perhaps be partaking in.” Then she was offered the part. She was on her way back to the airport when “they called to ask if I would come back and read the script. One flight to New York later, “I went to his office and met with him for, I would say probably seven minutes, and he was incredibly lovely and quiet and asked me a few questions and asked what I was doing for the summer.” The film was shot in Rome in July and August of 2011.
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